Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A view through the gallery with Wang Luyan’s W Bicycle–25.Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A view towards the blue end wall.Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Paintings, prints and sculpture viewed towards the entrance.Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Wang Luyan, W Bicycle–25, 1996, installed in the gallery.Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Guillaume Cochinaire, Sharpness, 2014, installed in the gallery.Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Detail of Chen Qingqing’s Egg, 2025.Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Shen Shaomin, Chinese Carp, 2025, installed in the gallery.Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Chen Qingqing, Untitled, 1999–2000, installed in the gallery.Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Paintings by Han Qing and Zhang Yajie.Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Works by Zheng Xuewu.Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A vertical view through the gallery.Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Laurens Tan, Bang Bang—Made in China, 2007, installed in the gallery.Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Wang Luyan’s W Bicycle–25, 1996, with paintings and prints beyond.Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A view of sculpture and paintings against the blue end wall.Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A view towards the gallery entrance.Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A high view of the exhibition space.Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A view through the exhibition towards the blue end wall.