An island’s building debris becomes pigment把岛屿的建筑废墟，变成颜料

Ines Katamso made Post Rimbun for the Guangzhou exhibition. Suspended textiles suggest mountain forms, bringing a dialogue with Chinese landscape painting into the gallery. The pigments come from construction debris collected in Bali, including brick, concrete, stone and rust.

The materials carry the pressure of building and tourism into images of tropical vegetation. What viewers see as colour also has a history as discarded urban matter. Moving these materials into an installation allows the work to address environmental change through the fabric and pigments themselves.

Ines Katamso为广州展览创作了《繁茂之后》。悬挂的织物勾勒出山峦的轮廓，在展厅中展开与中国山水画的对话；颜料则提取自巴厘岛收集的建筑废墟，包括砖块、混凝土、石头和铁锈。

建设与旅游开发的压力，由此进入描绘热带植物的图像。观众看见的色彩，同时具有被丢弃的城市材料的历史。将这些材料带入装置，使作品能够通过织物与颜料本身，讨论岛屿环境的变化。