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      <image:title>Homepage - Asia Times: Humanoid and Geopolitics, 2026 June  亚洲时报：机器人和地缘政治 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Homepage - South China Morning Post，2026 June Bilingualism &amp;amp; AI era                                                                                 南华早报：双语和AI时代 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Curated Exhibitions - Bali Island： Art and the World beyond the Rainforest                                                                                                                                      巴厘岛：雨林外的艺术与世界 - Make it stand out</image:title>
      <image:caption>In'tallation View： Post Rimbun，by Ines Katamso， 2026</image:caption>
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      <image:title>Curated Exhibitions - Bali Island： Art and the World beyond the Rainforest                                                                                                                                      巴厘岛：雨林外的艺术与世界 - Make it stand out</image:title>
      <image:caption>See Cheen Tee, Left: Begging (1954), woodcut; Right: Malay Fan Dancer (1960s), woodcut with color. Image courtesy of See Yee Wah. From anti-colonial social realism to the genre scenes of a newly independent nation, these works mark a decade of transition in Singapore’s identity. This evolution reflects See’s shift from documenting social hardship to visualizing a decolonized Nanyang (Southeast Asia).</image:caption>
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      <image:title>Curated Exhibitions - Bali Island： Art and the World beyond the Rainforest                                                                                                                                      巴厘岛：雨林外的艺术与世界 - Make it stand out</image:title>
      <image:caption>Malaysian artist Tay Mo-Leong</image:caption>
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      <image:title>Curated Exhibitions - Bali Island： Art and the World beyond the Rainforest                                                                                                                                      巴厘岛：雨林外的艺术与世界 - Make it stand out</image:title>
      <image:caption>Tropical Fish: The Inclusion of Tropical Motifs in Chinese Ink Painting. From left to right: Wang Lanruo, Angelfish in Clear Spring (1986); Huang Dufeng, Tropical Fish (1970s); See Cheen Tee,*Forging Ahead* (1990). Ink and color on paper. Images courtesy of GAFA Art Museum. Probably first triggered by Wang’s 1947 Penang journey, the angelfish evolved into a codified genre within the ink tradition. Wang and Huang’s late-1940s travels from Guangdong to Southeast Asia established a lineage that later influenced See Cheen Tee, demonstrating a shared visual language that bridged Southern China and the region.</image:caption>
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      <image:title>Curated Exhibitions - Bali Island： Art and the World beyond the Rainforest                                                                                                                                      巴厘岛：雨林外的艺术与世界 - Make it stand out</image:title>
      <image:caption>Robert Zhao Renhui, Singapore, Very Old Tree, 2015. Photo series, 110 x 74 cm. Image courtesy of GAFA Art Museum.</image:caption>
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