# Press & media · Origins of Artist Residencies in China: Another Pathway to Contemporary Chinese Art — Hu Chao 胡超

Source: https://www.huchaocurator.com/exhibitions/borrowing-the-shell/media/

## English

[Selected curatorial projects](https://www.huchaocurator.com/exhibitions/) / [“Borrowing the Shell”](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/) / Press & media

[Exhibition](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/)[Curatorial note](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/curatorial-note/)[Foreword](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/foreword/)[Residency history](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/residency-history/)[Selected works](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/works/)[Installation views](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/gallery/)[Press & media](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/media/)[Visit & contact](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/visit/)[Catalogue PDF ↓](https://www.huchaocurator.com/downloads/shell-exhibition/catalogue-origins-of-artist-residencies-in-china.pdf)

Press / 媒体

# Press & media resources

Copy-ready bilingual text, posters, an invitation and selected images. The resource pack includes captions and a rights note. Pack images use web dimensions; full-resolution originals can be downloaded individually.

[

Image: Origins of Artist Residencies in China: Another Pathway to Contemporary Chinese Art · Exhibition catalogue cover / 图册封面

](https://www.huchaocurator.com/downloads/shell-exhibition/catalogue-origins-of-artist-residencies-in-china.pdf)

PUBLIC DOWNLOAD

## Exhibition catalogue

Origins of Artist Residencies in China: Another Pathway to Contemporary Chinese Art

Bilingual PDF · 31 PDF pages · 12.9 MB

Catalogue texts: Hu Chao, Zhang Guozhong  
Design: Zhang Guozhong · Red Gate Gallery, 2026

[Download exhibition catalogue PDF ↓](https://www.huchaocurator.com/downloads/shell-exhibition/catalogue-origins-of-artist-residencies-in-china.pdf)[Read PDF online ↗](https://www.huchaocurator.com/downloads/shell-exhibition/catalogue-origins-of-artist-residencies-in-china.pdf)

TEXTS & RESEARCH

[Curatorial note

## Rethinking Contemporary Chinese Art through Artist Residencies

Hu Chao

Read the full text →](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/curatorial-note/)[Residency history

## From Study in Rome to Digital Networks: The Global Development of Artist Residencies

Zhang Guozhong and Hu Chao

Read the full text →](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/residency-history/)

## Bilingual exhibition resource pack

Notices, introduction, foreword, participant list, 17 installation views, 8 work images, poster, invitation and captions.

[Download resource pack ZIP↗](https://www.huchaocurator.com/downloads/shell-exhibition/origins-media-kit.zip)

This page shows English text; select 中文 at the top to read and copy the Chinese version.

For publication and reference

## Short exhibition notice

Origins of Artist Residencies in China: Another Pathway to Contemporary Chinese Art explores how artist residencies helped shape contemporary Chinese art. Curated by Hu Chao and Brian Wallace, the exhibition takes place at Red Gate Gallery, Beijing, from 11 October to 1 November 2026. Through artworks and historical material, it traces three stages: Transplantation, Grafting and Mycelium. These follow organised exchanges from the early 1990s, the development of locally rooted programmes from 2001, and the growth of a wider residency network. The exhibition asks how living and making work in unfamiliar places changed artists’ knowledge, methods and relationships—and why these experiences deserve a place in art history. The opening takes place on Sunday, 11 October, from 3 to 5 pm.

Copy text ⧉[Download press text ↓](https://www.huchaocurator.com/downloads/shell-exhibition/press-en.txt)

For publication and reference

## Full exhibition introduction

Origins of Artist Residencies in China: Another Pathway to Contemporary Chinese Art examines artist residency as one of the practices through which contemporary Chinese art took shape. Curated by art historian and curator Hu Chao and Red Gate Gallery founder Brian Wallace, the exhibition runs at Red Gate Gallery, Beijing, from 11 October to 1 November 2026.

The Chinese title, “Borrowing the Shell,” connects two meanings: entering an existing structure and drawing on its resources, and the biological processes of inhabitation, adaptation and growth. A residency gives artists time to stay and make work in an unfamiliar environment. Through everyday life and cross-cultural encounters, they acquire embodied knowledge that changes their understanding of their position, their methods and their relationship to the world. Such experience also travels through conversations, exhibitions, discussions and teaching.

The exhibition follows three stages. Transplantation traces organised exchanges from the early 1990s, when Australia’s Asialink began sending artists to China and Red Gate Gallery helped them find accommodation, studios and connections within Beijing’s art community. These exchanges opened channels through which Chinese and international artists could encounter one another’s working environments.

Grafting focuses on the development of locally rooted programmes from 2001. Red Gate launched its own residency in Beijing, while the Chinese European Art Center began its programme in Xiamen. Their international connections took new forms through local cultures, workshops, social resources and artistic communities.

Mycelium considers the growth of a wider network from 2009 onward. Founded in 2013, China Residencies connected programmes and institutions through a bilingual platform and annual reports. Artist-led initiatives, including Shangyuan Art Museum and Zheng Xuewu’s Hudson Art Center, also developed in response to artists’ needs.

Bringing artworks together with artists’ recollections and institutional histories, the exhibition asks why these experiences have received limited attention in accounts of contemporary Chinese art. It proposes a history attentive to the practical support that made movement possible, and to the knowledge artists gained by staying somewhere else. The opening takes place on Sunday, 11 October 2026, from 3 to 5 pm.

Copy text ⧉[Download press text ↓](https://www.huchaocurator.com/downloads/shell-exhibition/press-en.txt)

## Foreword & participants

[Complete foreword↗](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/foreword/?lang=en)[Download bilingual foreword↗](https://www.huchaocurator.com/downloads/shell-exhibition/foreword-bilingual.txt)[Download artists & curators↗](https://www.huchaocurator.com/downloads/shell-exhibition/participants.txt)

Chen Qingqing陈庆庆Chen Wei陈伟Guillaume Cochinaire纪尧姆·克钦耐尔Han Qing韩情Jiang Weitao蒋巍涛Jayne DyerJayne DyerLaurens Tan谭思考Shen Shaomin沈少民Su Xinping苏新平Wang Luyan王鲁炎Xie Guoping解国平Yin Xin尹欣Zhang Yajie张亚杰Zheng Xuewu郑学武

Curators: Hu Chao, Brian Wallace

## Official poster & invitation

Image: Official exhibition poster

Official exhibition poster · Red Gate Gallery

[Download original↗](https://www.huchaocurator.com/downloads/shell-exhibition/exhibition-poster.png)

Image: Opening invitation

Opening invitation · Red Gate Gallery

[Download original↗](https://www.huchaocurator.com/downloads/shell-exhibition/opening-invitation.png)

## Opening views

Three photographs with visitors at the opening. Original JPEG downloads: 2048 × 1365 pixels.

Courtesy of Hu Chao. For reproduction enquiries, please contact Hu Chao.

[

Image: Opening view 1, Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Courtesy of Hu Chao. · Red Gate Gallery · opening-01

](https://www.huchaocurator.com/assets/shell-exhibition/opening-01.webp)

Opening view 1, Borrowing the Shell, Red Gate Gallery, Beijing, 2026.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/opening-01.jpg)

[

Image: Opening view 2, Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Courtesy of Hu Chao. · Red Gate Gallery · opening-02

](https://www.huchaocurator.com/assets/shell-exhibition/opening-02.webp)

Opening view 2, Borrowing the Shell, Red Gate Gallery, Beijing, 2026.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/opening-02.jpg)

[

Image: Opening view 3, Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Courtesy of Hu Chao. · Red Gate Gallery · opening-03

](https://www.huchaocurator.com/assets/shell-exhibition/opening-03.webp)

Opening view 3, Borrowing the Shell, Red Gate Gallery, Beijing, 2026.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/opening-03.jpg)

## Installation images

17 installation photographs. Downloads retain the resolution of the supplied files.

Photo: Zhang Guozhong. Courtesy of Hu Chao.

[

Image: Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A view through the gallery with Wang Luyan’s W Bicycle–25. Photo: Zhang Guozhong. Courtesy of Hu Chao. · Red Gate Gallery · gallery-01

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-01.webp)

Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A view through the gallery with Wang Luyan’s W Bicycle–25.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-01.jpg)

[

Image: Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A view towards the blue end wall. Photo: Zhang Guozhong. Courtesy of Hu Chao. · Red Gate Gallery · gallery-02

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-02.webp)

Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A view towards the blue end wall.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-02.jpg)

[

Image: Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Paintings, prints and sculpture viewed towards the entrance. Photo: Zhang Guozhong. Courtesy of Hu Chao. · Red Gate Gallery · gallery-03

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-03.webp)

Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Paintings, prints and sculpture viewed towards the entrance.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-03.jpg)

[

Image: Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Wang Luyan, W Bicycle–25, 1996, installed in the gallery. Photo: Zhang Guozhong. Courtesy of Hu Chao. · Red Gate Gallery · gallery-04

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-04.webp)

Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Wang Luyan, W Bicycle–25, 1996, installed in the gallery.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-04.jpg)

[

Image: Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Guillaume Cochinaire, Sharpness, 2014, installed in the gallery. Photo: Zhang Guozhong. Courtesy of Hu Chao. · Red Gate Gallery · gallery-05

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-05.webp)

Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Guillaume Cochinaire, Sharpness, 2014, installed in the gallery.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-05.jpg)

[

Image: Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Detail of Chen Qingqing’s Egg, 2025. Photo: Zhang Guozhong. Courtesy of Hu Chao. · Red Gate Gallery · gallery-06

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-06.webp)

Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Detail of Chen Qingqing’s Egg, 2025.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-06.jpg)

[

Image: Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Shen Shaomin, Chinese Carp, 2025, installed in the gallery. Photo: Zhang Guozhong. Courtesy of Hu Chao. · Red Gate Gallery · gallery-07

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-07.webp)

Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Shen Shaomin, Chinese Carp, 2025, installed in the gallery.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-07.jpg)

[

Image: Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Chen Qingqing, Untitled, 1999–2000, installed in the gallery. Photo: Zhang Guozhong. Courtesy of Hu Chao. · Red Gate Gallery · gallery-08

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-08.webp)

Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Chen Qingqing, Untitled, 1999–2000, installed in the gallery.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-08.jpg)

[

Image: Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Paintings by Han Qing and Zhang Yajie. Photo: Zhang Guozhong. Courtesy of Hu Chao. · Red Gate Gallery · gallery-09

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-09.webp)

Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Paintings by Han Qing and Zhang Yajie.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-09.jpg)

[

Image: Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Works by Zheng Xuewu. Photo: Zhang Guozhong. Courtesy of Hu Chao. · Red Gate Gallery · gallery-10

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-10.webp)

Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Works by Zheng Xuewu.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-10.jpg)

[

Image: Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A vertical view through the gallery. Photo: Zhang Guozhong. Courtesy of Hu Chao. · Red Gate Gallery · gallery-11

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-11.webp)

Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A vertical view through the gallery.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-11.jpg)

[

Image: Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Laurens Tan, Bang Bang—Made in China, 2007, installed in the gallery. Photo: Zhang Guozhong. Courtesy of Hu Chao. · Red Gate Gallery · gallery-12

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-12.webp)

Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Laurens Tan, Bang Bang—Made in China, 2007, installed in the gallery.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-12.jpg)

[

Image: Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Wang Luyan’s W Bicycle–25, 1996, with paintings and prints beyond. Photo: Zhang Guozhong. Courtesy of Hu Chao. · Red Gate Gallery · gallery-13

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-13.webp)

Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Wang Luyan’s W Bicycle–25, 1996, with paintings and prints beyond.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-13.jpg)

[

Image: Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A view of sculpture and paintings against the blue end wall. Photo: Zhang Guozhong. Courtesy of Hu Chao. · Red Gate Gallery · gallery-14

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-14.webp)

Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A view of sculpture and paintings against the blue end wall.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-14.jpg)

[

Image: Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A view towards the gallery entrance. Photo: Zhang Guozhong. Courtesy of Hu Chao. · Red Gate Gallery · gallery-15

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-15.webp)

Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A view towards the gallery entrance.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-15.jpg)

[

Image: Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A high view of the exhibition space. Photo: Zhang Guozhong. Courtesy of Hu Chao. · Red Gate Gallery · gallery-16

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-16.webp)

Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A high view of the exhibition space.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-16.jpg)

[

Image: Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A view through the exhibition towards the blue end wall. Photo: Zhang Guozhong. Courtesy of Hu Chao. · Red Gate Gallery · gallery-17

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-17.webp)

Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A view through the exhibition towards the blue end wall.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-17.jpg)

## Work images

[

Image: Chen Qingqing, On the Way Home, 1996. Mixed media, 20 × 50 × 30 cm.

](https://www.huchaocurator.com/assets/shell-exhibition/chen-qingqing-on-the-way-home.webp)

Chen Qingqing, On the Way Home, 1996. Mixed media, 20 × 50 × 30 cm. Courtesy of Red Gate Gallery.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/chen-qingqing-on-the-way-home.jpg)

[

Image: Su Xinping, Sea of Desire No. 5, 1995. Lithograph, 35 × 43 cm.

](https://www.huchaocurator.com/assets/shell-exhibition/su-xinping-sea-of-desire-5.webp)

Su Xinping, Sea of Desire No. 5, 1995. Lithograph, 35 × 43 cm. Courtesy of Red Gate Gallery.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/su-xinping-sea-of-desire-5.jpg)

[

Image: Zheng Xuewu, The East, 2009. Acrylic on canvas, 146 × 86 cm.

](https://www.huchaocurator.com/assets/shell-exhibition/zheng-xuewu-the-east.webp)

Zheng Xuewu, The East, 2009. Acrylic on canvas, 146 × 86 cm. Courtesy of Red Gate Gallery.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/zheng-xuewu-the-east.jpg)

[

Image: Jayne Dyer, The Library of Forgetting (Installation Detail), 2008. Photograph, 30 × 20 cm.

](https://www.huchaocurator.com/assets/shell-exhibition/jayne-dyer-library-of-forgetting.webp)

Jayne Dyer, The Library of Forgetting (Installation Detail), 2008. Photograph, 30 × 20 cm. Courtesy of Red Gate Gallery.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/jayne-dyer-library-of-forgetting.jpg)

[

Image: Jiang Weitao, A2014-01, 2014. Oil on canvas, 110 × 80 cm.

](https://www.huchaocurator.com/assets/shell-exhibition/jiang-weitao-a2014-01.webp)

Jiang Weitao, A2014-01, 2014. Oil on canvas, 110 × 80 cm. Courtesy of Red Gate Gallery.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/jiang-weitao-a2014-01.jpg)

[

Image: Shen Shaomin, Untitled, 1989. Mixed media, 67 × 70 cm.

](https://www.huchaocurator.com/assets/shell-exhibition/shen-shaomin-untitled.webp)

Shen Shaomin, Untitled, 1989. Mixed media, 67 × 70 cm. Courtesy of Red Gate Gallery.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/shen-shaomin-untitled.jpg)

[

Image: Laurens Tan, Bang Bang—Made in China, 2007. Fibreglass, wood, acrylic and metal parts, 50 × 39 × 14 cm.

](https://www.huchaocurator.com/assets/shell-exhibition/laurens-tan-bang-bang.webp)

Laurens Tan, Bang Bang—Made in China, 2007. Fibreglass, wood, acrylic and metal parts, 50 × 39 × 14 cm. Courtesy of Red Gate Gallery.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/laurens-tan-bang-bang.jpg)

[

Image: Zhang Yajie, Crossing, 1992. Oil on canvas, 110 × 95 cm.

](https://www.huchaocurator.com/assets/shell-exhibition/zhang-yajie-crossing.webp)

Zhang Yajie, Crossing, 1992. Oil on canvas, 110 × 95 cm. Courtesy of Red Gate Gallery.

[Download original ↓](https://www.huchaocurator.com/downloads/shell-exhibition/zhang-yajie-crossing.jpg)

## Captions & rights

Images may be reproduced free of charge for editorial coverage of the exhibition, provided the specified credits are retained.

[Download bilingual captions CSV↗](https://www.huchaocurator.com/downloads/shell-exhibition/image-captions.csv)[Download rights & contact note↗](https://www.huchaocurator.com/downloads/shell-exhibition/rights-and-contacts.txt)Print page

[huchao.beijing@gmail.com](mailto:huchao.beijing@gmail.com) · [brian@redgategallery.com](mailto:brian@redgategallery.com)

## Image use & credits

Images may be reproduced free of charge for editorial coverage of the exhibition, provided the specified credits are retained.

Artwork images: Courtesy of Red Gate Gallery.

Installation photographs (excluding opening views): Photo: Zhang Guozhong. Courtesy of Hu Chao.

Artwork copyright remains with the respective artists and rights holders. Copyright in the installation photographs (excluding opening views) belongs to Hu Chao. Opening-view credits are listed separately; please contact Hu Chao for reproduction enquiries.

[Bilingual image captions CSV ↓](https://www.huchaocurator.com/downloads/shell-exhibition/image-captions.csv)

GALLERY & RELATED CHANNELS

This project archive brings together Hu Chao’s curatorial research, the exhibition foreword, works and installation views. See the gallery’s channels for its announcements and visitor updates.

[Red Gate Gallery exhibition link](http://redgategallery.com/exhibitions/origins-of-artist-residencies-in-china/)[Red Gate Gallery · exhibition archive](https://redgategallery.com/category/exhibitions/past-exhibition/)[WeChat exhibition announcement](https://mp.weixin.qq.com/s/nj66l7sie7GpGiTNcvHg0A)[Red Gate Gallery · WeChat post](https://mp.weixin.qq.com/s/VgR8BZMSK3L5910GM1ctQA)[Red Gate Gallery · opening review](https://redgategallery.com/news/opening-review-origins-of-artist-residencies-in-china/)[Red Gate Gallery website](https://redgategallery.com/)

## Selected exhibition records

[Artforum · Artguide — Origins of Artist Residencies in China: Another Pathway to Contemporary Chinese Art](https://artguide.artforum.com/venue/red-gate-gallery-1337074/exhibition/group-exhibition-origins-of-artist-residencies-in-china-another-pathway-to-contemporary-chinese-art-1337194/)

Exhibition listing on Artforum’s Artguide.

[MutualArt — Origins of Artist Residencies in China: Another Pathway to Contemporary Chinese Art](https://www.mutualart.com/Exhibition/Origins-of-Artist-Residencies-in-China--/06B592BF0D44B103)

English-language exhibition record with dates, an introduction and participating artists.

[ARTTAIWAN — Origins of Artist Residencies in China: Another Pathway to Contemporary Chinese Art](https://arttaiwan.com/blogs/on-view/on-view-red-gate-artist-residencies-china)

Exhibition overview in ARTTAIWAN’s On View section.

[ArtRabbit — Origins of Artist Residencies in China: Another Pathway to Contemporary Chinese Art (借壳)](https://www.artrabbit.com/events/origins-of-artist-residencies-in-china-another-pathway-to-contemporary-chinese-art-%E5%80%9F%E5%A3%B3)

English-language exhibition listing with dates, curators and a link to this exhibition archive.

[Booooooom — Origins of Artist Residencies in China: Another Pathway to Contemporary Chinese Art](https://www.booooooom.com/submissions/origins-of-artist-residencies-in-china-another-pathway-to-contemporary-chinese-art/)

Exhibition submission on Booooooom.

[OAM — Borrowing the Shell (借壳) – Origins of Artist Residencies in China](https://oam.io/expositions/borrowing-shell-jieke-origins-artist-residencies-china)

French-language exhibition archive and overview.

[Southern Metropolis Daily · Sohu — “Borrowing the Shell” opens in Beijing’s 798: how do artist residencies shape contemporary Chinese art?](https://www.sohu.com/a/1086419274_161795)

Chinese-language opening report by Nandu N Video, published on Sohu.

[Australian Embassy and Consulates in China · Weibo — “Borrowing the Shell” exhibition opening](https://weibo.com/2/detail/5353641336113007)

Official Weibo post about the opening and China–Australia artist residency exchanges.

[Artron — Exhibition preview: “Borrowing the Shell” opens at Red Gate Gallery](https://m-news.artron.net/news/20261010/n2093981.html?platform=toutiao&os=ios)

Chinese-language exhibition preview, including Hu Chao’s curatorial essay and artwork images.

[Artron — From a studio to a translocal network: “Borrowing the Shell” opens at Red Gate Gallery](https://news.artron.net/20261016/n1154743.html)

Chinese-language report on the exhibition opening at Red Gate Gallery.

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## 中文

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Press / 媒体

# 媒体资料

可复制的中英文文字、海报、邀请函及精选图片。资料包附完整图注与版权说明，整包图片采用网页尺寸；高清原图可单张下载。

[

Image: 借壳——驻留计划溯源与中国当代艺术进程 · 展览图册 cover / 图册封面

](https://www.huchaocurator.com/downloads/shell-exhibition/catalogue-origins-of-artist-residencies-in-china.pdf)

公开下载

## 展览图册

借壳——驻留计划溯源与中国当代艺术进程

中英文 PDF · 31页 · 12.9 MB

图册撰文：胡超、张国钟  
设计：张国钟 · 红门画廊，2026年

[下载展览图册 PDF ↓](https://www.huchaocurator.com/downloads/shell-exhibition/catalogue-origins-of-artist-residencies-in-china.pdf)[在线阅读 PDF ↗](https://www.huchaocurator.com/downloads/shell-exhibition/catalogue-origins-of-artist-residencies-in-china.pdf)

展览文本与研究

[策展人语

## 从艺术驻留重新看中国当代艺术

胡超

阅读全文 →](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/curatorial-note/)[驻留历史

## 从罗马研修到数字网络：驻留计划的全球发展脉络

张国钟、胡超

阅读全文 →](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/residency-history/)

## 中英文展览传播资料包

展讯、完整介绍、前言、名单、17张展厅图、8张作品图、海报、邀请函及图注。

[下载完整资料包 ZIP↗](https://www.huchaocurator.com/downloads/shell-exhibition/origins-media-kit.zip)

这里显示中文版；点击右上角 EN 阅读并复制英文版。

供发布与引用

## 短展讯

《借壳：驻留计划溯源与中国当代艺术进程》由胡超、布朗·华莱士策展，2026年10月11日至11月1日在北京红门画廊举行。展览以“移植、嫁接、菌丝网络”为线索，结合艺术作品与历史资料，考察艺术家驻留如何通过异地生活、创作与交流，参与中国当代艺术的形成。

复制文字 ⧉[下载展讯文字 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/press-zh.txt)

供发布与引用

## 完整展览介绍

《借壳：驻留计划溯源与中国当代艺术进程》由艺术史学者、策展人胡超与红门画廊创办人布朗·华莱士共同策展，2026年10月11日至11月1日在北京红门画廊举行。展览将艺术作品与历史资料联系起来，追问艺术家驻留如何参与中国当代艺术的形成。

“借壳”既关联进入既有结构、借助其资源的过程，也让人想到寄居、适应与生长。艺术家在异地住下来、做作品，在日常生活和跨文化交流中获得具身知识，重新理解自己的位置、创作方法与世界。这些经验通过同行交流、展览、讨论和讲学继续流动。

展览分为三个部分。“移植”追溯1990年代澳大利亚Asialink与红门画廊协助开展的有组织交流；“嫁接”关注2001年起北京红门驻留和厦门中国欧洲艺术中心如何在地方文化、工作室与社会资源中发展；“菌丝网络”讨论2009年以来驻留生态的扩展，包括2013年成立的China Residencies平台、上苑艺术馆和郑学武创办的哈德逊艺术中心。

作品、艺术家回忆与机构历史共同呈现这条跨境交流线索。展览邀请观众从移动与停留的切身经验出发，重新理解中国当代艺术与世界的联系。

复制文字 ⧉[下载展讯文字 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/press-zh.txt)

## 展览前言与名单

[完整展览前言↗](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/foreword/?lang=zh)[下载中英文前言↗](https://www.huchaocurator.com/downloads/shell-exhibition/foreword-bilingual.txt)[下载艺术家与策展人名单↗](https://www.huchaocurator.com/downloads/shell-exhibition/participants.txt)

陈庆庆Chen Qingqing陈伟Chen Wei纪尧姆·克钦耐尔Guillaume Cochinaire韩情Han Qing蒋巍涛Jiang WeitaoJayne DyerJayne Dyer谭思考Laurens Tan沈少民Shen Shaomin苏新平Su Xinping王鲁炎Wang Luyan解国平Xie Guoping尹欣Yin Xin张亚杰Zhang Yajie郑学武Zheng Xuewu

策展人：胡超、布朗·华莱士

## 正式海报与邀请函

Image: 正式展览海报

正式展览海报 · Red Gate Gallery

[下载原图↗](https://www.huchaocurator.com/downloads/shell-exhibition/exhibition-poster.png)

Image: 开幕邀请函

开幕邀请函 · Red Gate Gallery

[下载原图↗](https://www.huchaocurator.com/downloads/shell-exhibition/opening-invitation.png)

## 开幕现场

三张有观众的开幕现场照片，可直接下载原始 JPEG 文件（2048 × 1365 像素）。

图片由胡超提供。 转载事宜请联系胡超。

[

Image: 《借壳》开幕现场 1，北京红门画廊，2026年。 图片由胡超提供。 · Red Gate Gallery · opening-01

](https://www.huchaocurator.com/assets/shell-exhibition/opening-01.webp)

《借壳》开幕现场 1，北京红门画廊，2026年。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/opening-01.jpg)

[

Image: 《借壳》开幕现场 2，北京红门画廊，2026年。 图片由胡超提供。 · Red Gate Gallery · opening-02

](https://www.huchaocurator.com/assets/shell-exhibition/opening-02.webp)

《借壳》开幕现场 2，北京红门画廊，2026年。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/opening-02.jpg)

[

Image: 《借壳》开幕现场 3，北京红门画廊，2026年。 图片由胡超提供。 · Red Gate Gallery · opening-03

](https://www.huchaocurator.com/assets/shell-exhibition/opening-03.webp)

《借壳》开幕现场 3，北京红门画廊，2026年。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/opening-03.jpg)

## 展厅图片

17张展厅现场照片；下载文件保留收到时的分辨率。

展厅照片：张国钟 摄影，胡超 提供。

[

Image: 《借壳》展览现场，北京红门画廊，2026年。展厅纵向全景，前景为王鲁炎《W自行车–25》。 摄影：张国钟。图片由胡超提供。 · Red Gate Gallery · gallery-01

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-01.webp)

《借壳》展览现场，北京红门画廊，2026年。展厅纵向全景，前景为王鲁炎《W自行车–25》。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-01.jpg)

[

Image: 《借壳》展览现场，北京红门画廊，2026年。面向蓝色墙面的展厅全景。 摄影：张国钟。图片由胡超提供。 · Red Gate Gallery · gallery-02

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-02.webp)

《借壳》展览现场，北京红门画廊，2026年。面向蓝色墙面的展厅全景。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-02.jpg)

[

Image: 《借壳》展览现场，北京红门画廊，2026年。面向入口的展厅全景，绘画、版画与雕塑共同展出。 摄影：张国钟。图片由胡超提供。 · Red Gate Gallery · gallery-03

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-03.webp)

《借壳》展览现场，北京红门画廊，2026年。面向入口的展厅全景，绘画、版画与雕塑共同展出。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-03.jpg)

[

Image: 《借壳》展览现场，北京红门画廊，2026年。王鲁炎《W自行车–25》（1996年）展陈现场。 摄影：张国钟。图片由胡超提供。 · Red Gate Gallery · gallery-04

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-04.webp)

《借壳》展览现场，北京红门画廊，2026年。王鲁炎《W自行车–25》（1996年）展陈现场。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-04.jpg)

[

Image: 《借壳》展览现场，北京红门画廊，2026年。纪尧姆·克钦耐尔《锋芒》（2014年）展陈现场。 摄影：张国钟。图片由胡超提供。 · Red Gate Gallery · gallery-05

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-05.webp)

《借壳》展览现场，北京红门画廊，2026年。纪尧姆·克钦耐尔《锋芒》（2014年）展陈现场。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-05.jpg)

[

Image: 《借壳》展览现场，北京红门画廊，2026年。陈庆庆《蛋》（2025年）装置局部。 摄影：张国钟。图片由胡超提供。 · Red Gate Gallery · gallery-06

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-06.webp)

《借壳》展览现场，北京红门画廊，2026年。陈庆庆《蛋》（2025年）装置局部。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-06.jpg)

[

Image: 《借壳》展览现场，北京红门画廊，2026年。沈少民《中国鲤鱼》（2025年）展陈现场。 摄影：张国钟。图片由胡超提供。 · Red Gate Gallery · gallery-07

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-07.webp)

《借壳》展览现场，北京红门画廊，2026年。沈少民《中国鲤鱼》（2025年）展陈现场。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-07.jpg)

[

Image: 《借壳》展览现场，北京红门画廊，2026年。陈庆庆《无题》（1999—2000年）展陈现场。 摄影：张国钟。图片由胡超提供。 · Red Gate Gallery · gallery-08

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-08.webp)

《借壳》展览现场，北京红门画廊，2026年。陈庆庆《无题》（1999—2000年）展陈现场。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-08.jpg)

[

Image: 《借壳》展览现场，北京红门画廊，2026年。韩情、张亚杰的绘画作品展陈。 摄影：张国钟。图片由胡超提供。 · Red Gate Gallery · gallery-09

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-09.webp)

《借壳》展览现场，北京红门画廊，2026年。韩情、张亚杰的绘画作品展陈。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-09.jpg)

[

Image: 《借壳》展览现场，北京红门画廊，2026年。郑学武作品展陈。 摄影：张国钟。图片由胡超提供。 · Red Gate Gallery · gallery-10

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-10.webp)

《借壳》展览现场，北京红门画廊，2026年。郑学武作品展陈。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-10.jpg)

[

Image: 《借壳》展览现场，北京红门画廊，2026年。展厅空间的纵向视角。 摄影：张国钟。图片由胡超提供。 · Red Gate Gallery · gallery-11

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-11.webp)

《借壳》展览现场，北京红门画廊，2026年。展厅空间的纵向视角。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-11.jpg)

[

Image: 《借壳》展览现场，北京红门画廊，2026年。谭思考《蹦蹦车原型—中国制造》（2007年）展陈现场。 摄影：张国钟。图片由胡超提供。 · Red Gate Gallery · gallery-12

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-12.webp)

《借壳》展览现场，北京红门画廊，2026年。谭思考《蹦蹦车原型—中国制造》（2007年）展陈现场。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-12.jpg)

[

Image: 《借壳》展览现场，北京红门画廊，2026年。王鲁炎《W自行车–25》（1996年）与背景中的绘画和版画。 摄影：张国钟。图片由胡超提供。 · Red Gate Gallery · gallery-13

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-13.webp)

《借壳》展览现场，北京红门画廊，2026年。王鲁炎《W自行车–25》（1996年）与背景中的绘画和版画。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-13.jpg)

[

Image: 《借壳》展览现场，北京红门画廊，2026年。蓝色墙面前的雕塑与绘画展陈。 摄影：张国钟。图片由胡超提供。 · Red Gate Gallery · gallery-14

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-14.webp)

《借壳》展览现场，北京红门画廊，2026年。蓝色墙面前的雕塑与绘画展陈。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-14.jpg)

[

Image: 《借壳》展览现场，北京红门画廊，2026年。面向展厅入口的全景。 摄影：张国钟。图片由胡超提供。 · Red Gate Gallery · gallery-15

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-15.webp)

《借壳》展览现场，北京红门画廊，2026年。面向展厅入口的全景。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-15.jpg)

[

Image: 《借壳》展览现场，北京红门画廊，2026年。从较高视角观看展厅空间。 摄影：张国钟。图片由胡超提供。 · Red Gate Gallery · gallery-16

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-16.webp)

《借壳》展览现场，北京红门画廊，2026年。从较高视角观看展厅空间。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-16.jpg)

[

Image: 《借壳》展览现场，北京红门画廊，2026年。展厅纵向全景，远处为蓝色墙面。 摄影：张国钟。图片由胡超提供。 · Red Gate Gallery · gallery-17

](https://www.huchaocurator.com/assets/shell-exhibition/gallery-17.webp)

《借壳》展览现场，北京红门画廊，2026年。展厅纵向全景，远处为蓝色墙面。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/gallery-17.jpg)

## 作品图片

[

Image: 陈庆庆，《回家的路上》，1996年。综合材料，20 × 50 × 30 cm。

](https://www.huchaocurator.com/assets/shell-exhibition/chen-qingqing-on-the-way-home.webp)

陈庆庆，《回家的路上》，1996年。综合材料，20 × 50 × 30 cm。 图片由红门画廊提供。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/chen-qingqing-on-the-way-home.jpg)

[

Image: 苏新平，《欲之海之五》，1995年。石版画，35 × 43 cm。

](https://www.huchaocurator.com/assets/shell-exhibition/su-xinping-sea-of-desire-5.webp)

苏新平，《欲之海之五》，1995年。石版画，35 × 43 cm。 图片由红门画廊提供。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/su-xinping-sea-of-desire-5.jpg)

[

Image: 郑学武，《东方之境》，2009年。布面丙烯，146 × 86 cm。

](https://www.huchaocurator.com/assets/shell-exhibition/zheng-xuewu-the-east.webp)

郑学武，《东方之境》，2009年。布面丙烯，146 × 86 cm。 图片由红门画廊提供。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/zheng-xuewu-the-east.jpg)

[

Image: Jayne Dyer，《The Library of Forgetting（装置局部）》，2008年。摄影，30 × 20 cm。

](https://www.huchaocurator.com/assets/shell-exhibition/jayne-dyer-library-of-forgetting.webp)

Jayne Dyer，《The Library of Forgetting（装置局部）》，2008年。摄影，30 × 20 cm。 图片由红门画廊提供。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/jayne-dyer-library-of-forgetting.jpg)

[

Image: 蒋巍涛，《A2014-01》，2014年。布面油画，110 × 80 cm。

](https://www.huchaocurator.com/assets/shell-exhibition/jiang-weitao-a2014-01.webp)

蒋巍涛，《A2014-01》，2014年。布面油画，110 × 80 cm。 图片由红门画廊提供。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/jiang-weitao-a2014-01.jpg)

[

Image: 沈少民，《无题》，1989年。综合材料，67 × 70 cm。

](https://www.huchaocurator.com/assets/shell-exhibition/shen-shaomin-untitled.webp)

沈少民，《无题》，1989年。综合材料，67 × 70 cm。 图片由红门画廊提供。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/shen-shaomin-untitled.jpg)

[

Image: 谭思考，《蹦蹦车原型—中国制造》，2007年。玻璃纤维、木材、亚克力、金属部件，50 × 39 × 14 cm。

](https://www.huchaocurator.com/assets/shell-exhibition/laurens-tan-bang-bang.webp)

谭思考，《蹦蹦车原型—中国制造》，2007年。玻璃纤维、木材、亚克力、金属部件，50 × 39 × 14 cm。 图片由红门画廊提供。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/laurens-tan-bang-bang.jpg)

[

Image: 张亚杰，《路口》，1992年。布面油画，110 × 95 cm。

](https://www.huchaocurator.com/assets/shell-exhibition/zhang-yajie-crossing.webp)

张亚杰，《路口》，1992年。布面油画，110 × 95 cm。 图片由红门画廊提供。

[下载原图 ↓](https://www.huchaocurator.com/downloads/shell-exhibition/zhang-yajie-crossing.jpg)

## 图注与版权信息

图片可免费用于本展览的新闻与编辑报道，使用时须保留指定署名。

[下载中英文图注 CSV↗](https://www.huchaocurator.com/downloads/shell-exhibition/image-captions.csv)[下载版权与联系说明↗](https://www.huchaocurator.com/downloads/shell-exhibition/rights-and-contacts.txt)打印文字资料

[huchao.beijing@gmail.com](mailto:huchao.beijing@gmail.com) · [brian@redgategallery.com](mailto:brian@redgategallery.com)

## 图片使用与署名

图片可免费用于本展览的新闻与编辑报道，使用时须保留指定署名。

作品图片由红门画廊提供。

展厅照片（不含开幕现场）：张国钟 摄影，胡超 提供。

作品版权归各艺术家及相关权利人所有。展厅照片（不含开幕现场）版权归胡超所有。开幕现场图片另列署名，转载事宜请联系胡超。

[中英文图片图注 CSV ↓](https://www.huchaocurator.com/downloads/shell-exhibition/image-captions.csv)

画廊与相关发布

这里汇集胡超的策展研究、展览前言、作品与现场资料。画廊的展讯与参观安排，也可通过以下官方渠道查看。

[红门画廊展览链接](http://redgategallery.com/exhibitions/origins-of-artist-residencies-in-china/)[红门画廊 · 展览档案](https://redgategallery.com/category/exhibitions/past-exhibition/)[微信展览发布](https://mp.weixin.qq.com/s/nj66l7sie7GpGiTNcvHg0A)[红门画廊 · 微信推文](https://mp.weixin.qq.com/s/VgR8BZMSK3L5910GM1ctQA)[红门画廊 · 开幕回顾](https://redgategallery.com/news/opening-review-origins-of-artist-residencies-in-china/)[红门画廊官网](https://redgategallery.com/)

## 主要艺术档案记录

[Artforum · Artguide — 借壳——驻留计划溯源与中国当代艺术进程](https://artguide.artforum.com/venue/red-gate-gallery-1337074/exhibition/group-exhibition-origins-of-artist-residencies-in-china-another-pathway-to-contemporary-chinese-art-1337194/)

Artforum Artguide 展览收录。

[MutualArt — 借壳——驻留计划溯源与中国当代艺术进程](https://www.mutualart.com/Exhibition/Origins-of-Artist-Residencies-in-China--/06B592BF0D44B103)

英文展览档案，收录展期、展览介绍及参展艺术家。

[ARTTAIWAN — 借壳——驻留计划溯源与中国当代艺术进程](https://arttaiwan.com/blogs/on-view/on-view-red-gate-artist-residencies-china)

ARTTAIWAN「On View」栏目展览介绍。

[ArtRabbit — 借壳——驻留计划溯源与中国当代艺术进程](https://www.artrabbit.com/events/origins-of-artist-residencies-in-china-another-pathway-to-contemporary-chinese-art-%E5%80%9F%E5%A3%B3)

英文展览收录，含展期、策展人及本网站展览档案链接。

[Booooooom — 借壳——驻留计划溯源与中国当代艺术进程](https://www.booooooom.com/submissions/origins-of-artist-residencies-in-china-another-pathway-to-contemporary-chinese-art/)

Booooooom 投稿栏目展览记录。

[OAM — Borrowing the Shell (借壳) – Origins of Artist Residencies in China](https://oam.io/expositions/borrowing-shell-jieke-origins-artist-residencies-china)

法语展览档案与介绍。

[南方都市报 · 搜狐 — 798新展《借壳》上线，艺术驻留如何塑造中国当代艺术？](https://www.sohu.com/a/1086419274_161795)

南都N视频记者采写的展览开幕报道，刊载于搜狐。

[澳大利亚驻华使领馆 · 微博 — 《借壳》展览开幕消息](https://weibo.com/2/detail/5353641336113007)

官方微博发布展览开幕消息，介绍澳中艺术家驻留交流。

[雅昌艺术网 — 展览预告 | 群展“借壳——驻留计划溯源与中国当代艺术进程”将在红门画廊开幕](https://m-news.artron.net/news/20261010/n2093981.html?platform=toutiao&os=ios)

展览预告，刊载胡超策展人语全文及作品图片。

[雅昌艺术网 — 从一间工作室到跨地网络 “借壳——驻留计划溯源与中国当代艺术进程”在红门画廊开幕](https://news.artron.net/20261016/n1154743.html)

红门画廊《借壳》展览的开幕报道。

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