# Origins of Artist Residencies in China: Another Pathway to Contemporary Chinese Art — Hu Chao 胡超 Source: https://www.huchaocurator.com/exhibitions/borrowing-the-shell/ ## English [Selected curatorial projects](https://www.huchaocurator.com/exhibitions/) / “Borrowing the Shell” [Exhibition](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/)[Curatorial note](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/curatorial-note/)[Foreword](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/foreword/)[Residency history](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/residency-history/)[Selected works](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/works/)[Installation views](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/gallery/)[Press & media](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/media/)[Visit & contact](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/visit/)[Catalogue PDF ↓](https://www.huchaocurator.com/downloads/shell-exhibition/catalogue-origins-of-artist-residencies-in-china.pdf) Red Gate Gallery · 35 years in 2026 · Beijing # Origins 借壳 ## of Artist Residencies in China Another Pathway to Contemporary Chinese Art 11 October — 1 November 2026 Red Gate Gallery · Beijing Curators: Hu Chao & Brian Wallace [Explore the exhibition↗](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/#shell-en-about) [Plan your visit ↗](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/visit/?lang=en) [Download exhibition catalogue PDF ↓](https://www.huchaocurator.com/downloads/shell-exhibition/catalogue-origins-of-artist-residencies-in-china.pdf) [Red Gate Gallery exhibition link ↗](http://redgategallery.com/exhibitions/origins-of-artist-residencies-in-china/) Image: Zheng Xuewu, The East, 2009. Acrylic on canvas, 146 × 86 cm. Zheng Xuewu, The East, 2009. Acrylic on canvas, 146 × 86 cm. Courtesy of Red Gate Gallery. The exhibition ## How did artists come to know the world? Artists stay and make work somewhere else. Everyday life, encounters with fellow artists and unfamiliar surroundings change their knowledge, methods and relationship to the world. Origins places artist residency within the formation of contemporary Chinese art. It follows early international cooperation, the growth of local programmes and the development of wider networks, tracing how movement and staying became part of artistic practice. [Read Hu Chao’s full foreword ↗](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/foreword/?lang=en) Historical threads ## Three stages Transplantation, Grafting and Mycelium: three stages through which a residency model enters new environments, takes root and forms connections. 01 ### Transplantation 移植1990s–early 2000s: the residency model enters China In the early 1990s, Australia’s Asialink began sending artists to China on residencies. Red Gate Gallery, founded in 1991 by Australian Brian Wallace, helped these artists find accommodation and studio space and connect with Beijing’s art community. This organised form of artist mobility helped residencies take root in China’s emerging contemporary art ecosystem. [Explore this stage ↗](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/chapters/transplantation/?lang=en) 02 ### Grafting 嫁接From 2001 onward: residencies take new forms in local contexts In 2001, Red Gate Gallery launched its own residency program in Beijing, building on a decade of cooperation with its Australian partners. The same year, the Chinese European Art Center (CEAC) started its program in Xiamen, drawing on its European connections. These early local programs put down deep roots — in local cultures, social resources and artistic communities — and developed forms of residency shaped by the Chinese context. [Explore this stage ↗](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/chapters/grafting/?lang=en) 03 ### Mycelium 菌丝网络Since 2009: residencies grow into an open network In 2013, China Residencies launched its bilingual website and went on to publish annual reports from 2014 to 2021, using both to connect residency programs, institutions and artists across China and the world. In the meantime, the needs of Chinese artists themselves have driven homegrown experiments: Shangyuan Art Museum, now running multiple sites, and Zheng Xuewu's Hudson Art Center in the United States. [Explore this stage ↗](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/chapters/mycelium/?lang=en) [ Image: Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A view through the gallery with Wang Luyan’s W Bicycle–25. ](https://www.huchaocurator.com/assets/shell-exhibition/gallery-01.webp) Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A view through the gallery with Wang Luyan’s W Bicycle–25. Photo: Zhang Guozhong. Courtesy of Hu Chao. Works and experience ## Movement, stays and what remains Paintings, prints, installations and sculpture open different perspectives on residency histories. Explore the selected works with artist, title, date, medium and dimensions. [ Image: Chen Qingqing, On the Way Home, 1996. Mixed media, 20 × 50 × 30 cm. ](https://www.huchaocurator.com/assets/shell-exhibition/chen-qingqing-on-the-way-home.webp) Chen Qingqing, On the Way Home, 1996. Mixed media, 20 × 50 × 30 cm. Courtesy of Red Gate Gallery. [ Image: Wang Luyan, W Bicycle–25, 1996. Installation, 104 × 180 × 50 cm. ](https://www.huchaocurator.com/assets/shell-exhibition/wang-luyan-w-bicycle.webp) Wang Luyan, W Bicycle–25, 1996. Installation, 104 × 180 × 50 cm. Courtesy of Red Gate Gallery. [ Image: Shen Shaomin, Chinese Carp, 2025. Special presentation box with certificate, 11 × 42 × 21 cm. Installation view, Borrowing the Shell, Red Gate Gallery, Beijing, 2026. ](https://www.huchaocurator.com/assets/shell-exhibition/shen-shaomin-chinese-carp.webp) Shen Shaomin, Chinese Carp, 2025. Special presentation box with certificate, 11 × 42 × 21 cm. Installation view, Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Courtesy of Red Gate Gallery. [View all selected works ↗](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/works/?lang=en) Movement · Staying · Embodied knowledge “The movement, the stays, the border crossings — carried in artists’ own bodies — shaped contemporary Chinese art as much as any exhibition or manifesto.” Hu Chao · Exhibition foreword Installation views ## Inside the gallery From the white walls to the blue end wall, see works in relation to one another. Select an image to enlarge it, or explore the full set of 17 installation views. [ Image: Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A view towards the blue end wall. ](https://www.huchaocurator.com/assets/shell-exhibition/gallery-02.webp) Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. A view towards the blue end wall. Photo: Zhang Guozhong. Courtesy of Hu Chao. [ Image: Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Works by Zheng Xuewu. ](https://www.huchaocurator.com/assets/shell-exhibition/gallery-10.webp) Installation view of Borrowing the Shell, Red Gate Gallery, Beijing, 2026. Works by Zheng Xuewu. Photo: Zhang Guozhong. Courtesy of Hu Chao. [View all installation views ↗](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/gallery/?lang=en) Participants ## Artists & curators Participating artists, in the order listed on the official poster. Chen Qingqing陈庆庆Chen Wei陈伟Guillaume Cochinaire纪尧姆·克钦耐尔Han Qing韩情Jiang Weitao蒋巍涛Jayne DyerJayne DyerLaurens Tan谭思考Shen Shaomin沈少民Su Xinping苏新平Wang Luyan王鲁炎Xie Guoping解国平Yin Xin尹欣Zhang Yajie张亚杰Zheng Xuewu郑学武 Curator ### Hu Chao Art historian and curator. His research and exhibitions examine the movement of artists, images and institutions, and how these movements help shape modern Asian art. [Website and research ↗](https://www.huchaocurator.com/) Curator ### Brian Wallace Founder of Red Gate Gallery. He established the gallery in Beijing in 1991, supported exchanges between Chinese and international artists, and launched Red Gate Residency in 2001. [Red Gate Gallery ↗](https://www.redgategallery.com/) Visit the exhibition ## 11 OCT — 01 NOV 2026 Red Gate Gallery 798 Art District, Beijing [Full visitor and contact information ↗](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/visit/?lang=en) Dates 11 October–1 November 2026 Opening Sunday, 11 October 2026 3–5 pm (Beijing time) Hours Tuesday–Sunday, 9 am–5 pm Closed on Mondays Venue Red Gate Gallery 798 Art District, No. 2 Jiuxianqiao Road, Chaoyang District, Beijing Telephone [+86 137 010 787 21](tel:+8613701078721) Press & resources ## Take this history to more readers Bilingual notices, a full introduction, the official poster and captioned images, together in one exhibition resource. [Explore media resources↗](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/media/?lang=en) Image: Official exhibition poster TEXTS & RESEARCH [Curatorial note ## Rethinking Contemporary Chinese Art through Artist Residencies Hu Chao Read the full text →](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/curatorial-note/)[Residency history ## From Study in Rome to Digital Networks: The Global Development of Artist Residencies Zhang Guozhong and Hu Chao Read the full text →](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/residency-history/) [ Image: Origins of Artist Residencies in China: Another Pathway to Contemporary Chinese Art · Exhibition catalogue cover / 图册封面 ](https://www.huchaocurator.com/downloads/shell-exhibition/catalogue-origins-of-artist-residencies-in-china.pdf) PUBLIC DOWNLOAD ## Exhibition catalogue Origins of Artist Residencies in China: Another Pathway to Contemporary Chinese Art Bilingual PDF · 31 PDF pages · 12.9 MB Catalogue texts: Hu Chao, Zhang Guozhong Design: Zhang Guozhong · Red Gate Gallery, 2026 [Download exhibition catalogue PDF ↓](https://www.huchaocurator.com/downloads/shell-exhibition/catalogue-origins-of-artist-residencies-in-china.pdf)[Read PDF online ↗](https://www.huchaocurator.com/downloads/shell-exhibition/catalogue-origins-of-artist-residencies-in-china.pdf) ## Image use & credits Images may be reproduced free of charge for editorial coverage of the exhibition, provided the specified credits are retained. Artwork images: Courtesy of Red Gate Gallery. Installation photographs (excluding opening views): Photo: Zhang Guozhong. Courtesy of Hu Chao. Artwork copyright remains with the respective artists and rights holders. Copyright in the installation photographs (excluding opening views) belongs to Hu Chao. Opening-view credits are listed separately; please contact Hu Chao for reproduction enquiries. [Bilingual image captions CSV ↓](https://www.huchaocurator.com/downloads/shell-exhibition/image-captions.csv) GALLERY & RELATED CHANNELS This project archive brings together Hu Chao’s curatorial research, the exhibition foreword, works and installation views. See the gallery’s channels for its announcements and visitor updates. [Red Gate Gallery exhibition link](http://redgategallery.com/exhibitions/origins-of-artist-residencies-in-china/)[Red Gate Gallery · exhibition archive](https://redgategallery.com/category/exhibitions/past-exhibition/)[WeChat exhibition announcement](https://mp.weixin.qq.com/s/nj66l7sie7GpGiTNcvHg0A)[Red Gate Gallery · WeChat post](https://mp.weixin.qq.com/s/VgR8BZMSK3L5910GM1ctQA)[Red Gate Gallery · opening review](https://redgategallery.com/news/opening-review-origins-of-artist-residencies-in-china/)[Red Gate Gallery website](https://redgategallery.com/) ## Selected exhibition records [Artforum · Artguide — Origins of Artist Residencies in China: Another Pathway to Contemporary Chinese Art](https://artguide.artforum.com/venue/red-gate-gallery-1337074/exhibition/group-exhibition-origins-of-artist-residencies-in-china-another-pathway-to-contemporary-chinese-art-1337194/) Exhibition listing on Artforum’s Artguide. [MutualArt — Origins of Artist Residencies in China: Another Pathway to Contemporary Chinese Art](https://www.mutualart.com/Exhibition/Origins-of-Artist-Residencies-in-China--/06B592BF0D44B103) English-language exhibition record with dates, an introduction and participating artists. [ARTTAIWAN — Origins of Artist Residencies in China: Another Pathway to Contemporary Chinese Art](https://arttaiwan.com/blogs/on-view/on-view-red-gate-artist-residencies-china) Exhibition overview in ARTTAIWAN’s On View section. [ArtRabbit — Origins of Artist Residencies in China: Another Pathway to Contemporary Chinese Art (借壳)](https://www.artrabbit.com/events/origins-of-artist-residencies-in-china-another-pathway-to-contemporary-chinese-art-%E5%80%9F%E5%A3%B3) English-language exhibition listing with dates, curators and a link to this exhibition archive. [Booooooom — Origins of Artist Residencies in China: Another Pathway to Contemporary Chinese Art](https://www.booooooom.com/submissions/origins-of-artist-residencies-in-china-another-pathway-to-contemporary-chinese-art/) Exhibition submission on Booooooom. [OAM — Borrowing the Shell (借壳) – Origins of Artist Residencies in China](https://oam.io/expositions/borrowing-shell-jieke-origins-artist-residencies-china) French-language exhibition archive and overview. [Southern Metropolis Daily · Sohu — “Borrowing the Shell” opens in Beijing’s 798: how do artist residencies shape contemporary Chinese art?](https://www.sohu.com/a/1086419274_161795) Chinese-language opening report by Nandu N Video, published on Sohu. [Australian Embassy and Consulates in China · Weibo — “Borrowing the Shell” exhibition opening](https://weibo.com/2/detail/5353641336113007) Official Weibo post about the opening and China–Australia artist residency exchanges. [Artron — Exhibition preview: “Borrowing the Shell” opens at Red Gate Gallery](https://m-news.artron.net/news/20261010/n2093981.html?platform=toutiao&os=ios) Chinese-language exhibition preview, including Hu Chao’s curatorial essay and artwork images. [Artron — From a studio to a translocal network: “Borrowing the Shell” opens at Red Gate Gallery](https://news.artron.net/20261016/n1154743.html) Chinese-language report on the exhibition opening at Red Gate Gallery. Close × ←→ --- ## 中文 [主要策展](https://www.huchaocurator.com/exhibitions/) / 《借壳》 [展览详情](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/)[策展人语](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/curatorial-note/)[展览前言](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/foreword/)[驻留历史](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/residency-history/)[精选作品](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/works/)[展览现场](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/gallery/)[媒体资料](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/media/)[参观与联系](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/visit/)[图册 PDF ↓](https://www.huchaocurator.com/downloads/shell-exhibition/catalogue-origins-of-artist-residencies-in-china.pdf) Red Gate Gallery · 红门画廊三十五周年 · 北京 Origins # 借壳 ## 驻留计划溯源与 中国当代艺术进程 Origins of Artist Residencies in China Another Pathway to Contemporary Chinese Art 2026.10.11 — 11.01 北京 · 红门画廊 策展：胡超、布朗·华莱士 [探索展览↗](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/#shell-zh-about) [参观信息 ↗](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/visit/?lang=zh) [下载展览图册 PDF ↓](https://www.huchaocurator.com/downloads/shell-exhibition/catalogue-origins-of-artist-residencies-in-china.pdf) [红门画廊展览链接 ↗](http://redgategallery.com/exhibitions/origins-of-artist-residencies-in-china/) Image: 郑学武，《东方之境》，2009年。布面丙烯，146 × 86 cm。 郑学武，《东方之境》，2009年。布面丙烯，146 × 86 cm。 图片由红门画廊提供。 展览的起点 ## 艺术家如何 认识世界？ 艺术家在异地住下来、做作品。日常生活、同行交流与陌生环境，改变着他们的知识、方法和与世界的关系。 《借壳》把艺术家驻留放回中国当代艺术形成的内部脉络：从早期国际合作，到本土机构的生长，再到跨地域网络，追踪移动与停留如何成为一种艺术实践。 [阅读胡超的完整展览前言 ↗](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/foreword/?lang=zh) 历史线索 ## 三条路径 移植、嫁接、菌丝网络：展览以三个阶段考察制度如何进入新的环境，生根、转化与连接。 01 ### 移植 Transplantation1990年代至2000年代初：艺术驻留机制进入中国。 1991年，澳大利亚 Asialink 开始协调本国艺术家赴华驻留；同年成立的红门画廊（Red Gate Gallery）作为本地画廊提供协助。这些持续开展的驻留实践，为中外艺术家的跨国交流提供了新的组织形式。 [展开这条历史线索 ↗](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/chapters/transplantation/?lang=zh) 02 ### 嫁接 Grafting2001年以后：艺术驻留机制在地方文化与本土实践中转化。 2001年，红门画廊创办自己的北京驻留计划，早期延续与澳大利亚机构的合作；厦门中国欧洲艺术中心（CEAC）也于同年启动驻留项目，一面与欧洲艺术界保持密切联系，一面扎根中国东南的地方经验、社会资源和艺术生态。 [展开这条历史线索 ↗](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/chapters/grafting/?lang=zh) 03 ### 菌丝网络 Mycelium2009年至今：艺术驻留进入网络化发展的新阶段。 通过 2013年成立的China Residencies平台，国内驻留计划开始加入世界驻留项目的开放网络，并在不同机构、艺术家和地域之间持续生长。中国艺术家自身的需求，也推动了上苑艺术馆、郑学武的哈德逊艺术中心等本土艺术家自建项目的创新。 [展开这条历史线索 ↗](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/chapters/mycelium/?lang=zh) [ Image: 《借壳》展览现场，北京红门画廊，2026年。展厅纵向全景，前景为王鲁炎《W自行车–25》。 ](https://www.huchaocurator.com/assets/shell-exhibition/gallery-01.webp) 《借壳》展览现场，北京红门画廊，2026年。展厅纵向全景，前景为王鲁炎《W自行车–25》。 摄影：张国钟。图片由胡超提供。 作品与经验 ## 留在作品里的 移动与停留 绘画、版画、装置与雕塑，共同打开驻留历史的不同侧面。每件作品保留作者、题名与年代，进入作品页可查看材料及尺寸。 [ Image: 陈庆庆，《回家的路上》，1996年。综合材料，20 × 50 × 30 cm。 ](https://www.huchaocurator.com/assets/shell-exhibition/chen-qingqing-on-the-way-home.webp) 陈庆庆，《回家的路上》，1996年。综合材料，20 × 50 × 30 cm。 图片由红门画廊提供。 [ Image: 王鲁炎，《W自行车–25》，1996年。装置，104 × 180 × 50 cm。 ](https://www.huchaocurator.com/assets/shell-exhibition/wang-luyan-w-bicycle.webp) 王鲁炎，《W自行车–25》，1996年。装置，104 × 180 × 50 cm。 图片由红门画廊提供。 [ Image: 沈少民，《中国鲤鱼》，2025年。特制礼盒（附证书），11 × 42 × 21 cm。《借壳》展陈现场，北京红门画廊，2026年。 ](https://www.huchaocurator.com/assets/shell-exhibition/shen-shaomin-chinese-carp.webp) 沈少民，《中国鲤鱼》，2025年。特制礼盒（附证书），11 × 42 × 21 cm。《借壳》展陈现场，北京红门画廊，2026年。 图片由红门画廊提供。 [查看全部精选作品 ↗](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/works/?lang=zh) 移动 · 停留 · 具身知识 “艺术家在跨地区、跨国的移动与停留中积累的切身经验，同样构成了这一过程的重要部分。” Hu Chao · 展览前言 展览现场 ## 走进展厅 在白墙与蓝色尽端之间，观看作品彼此相邻的关系。点击照片可以放大，完整图集收录十二张现场图片。 [ Image: 《借壳》展览现场，北京红门画廊，2026年。面向蓝色墙面的展厅全景。 ](https://www.huchaocurator.com/assets/shell-exhibition/gallery-02.webp) 《借壳》展览现场，北京红门画廊，2026年。面向蓝色墙面的展厅全景。 摄影：张国钟。图片由胡超提供。 [ Image: 《借壳》展览现场，北京红门画廊，2026年。郑学武作品展陈。 ](https://www.huchaocurator.com/assets/shell-exhibition/gallery-10.webp) 《借壳》展览现场，北京红门画廊，2026年。郑学武作品展陈。 摄影：张国钟。图片由胡超提供。 [查看全部展厅照片 ↗](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/gallery/?lang=zh) 参与者 ## 艺术家与策展人 参展艺术家名单按正式海报排列。 陈庆庆Chen Qingqing陈伟Chen Wei纪尧姆·克钦耐尔Guillaume Cochinaire韩情Han Qing蒋巍涛Jiang WeitaoJayne DyerJayne Dyer谭思考Laurens Tan沈少民Shen Shaomin苏新平Su Xinping王鲁炎Wang Luyan解国平Xie Guoping尹欣Yin Xin张亚杰Zhang Yajie郑学武Zheng Xuewu 策展人 ### 胡超 艺术史学者、策展人。通过研究与展览，考察艺术家、图像与制度的跨境流动，以及这些移动如何参与现代亚洲艺术的形成。 [个人网站与研究 ↗](https://www.huchaocurator.com/) 策展人 ### 布朗·华莱士 红门画廊创办人。1991年在北京创立画廊，长期参与中外艺术交流，并于2001年创办红门驻留计划。 [Red Gate Gallery ↗](https://www.redgategallery.com/) 参观展览 ## 11 OCT — 01 NOV 2026 北京 · 798艺术区 红门画廊 [完整参观与联系信息 ↗](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/visit/?lang=zh) 展期 2026年10月11日—11月1日 开幕 2026年10月11日，星期日 15:00—17:00（北京时间） 开放时间 周二至周日，9:00—17:00 周一闭馆 地点 红门画廊 北京市朝阳区酒仙桥路2号院798艺术区 电话 [+86 137 010 787 21](tel:+8613701078721) 媒体与传播 ## 把这条历史 带向更多读者 中英文展讯、完整介绍、正式海报和带图注的图片资料，集中在一个可持续引用的入口。 [进入媒体资料页↗](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/media/?lang=zh) Image: 借壳展览正式海报 展览文本与研究 [策展人语 ## 从艺术驻留重新看中国当代艺术 胡超 阅读全文 →](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/curatorial-note/)[驻留历史 ## 从罗马研修到数字网络：驻留计划的全球发展脉络 张国钟、胡超 阅读全文 →](https://www.huchaocurator.com/exhibitions/borrowing-the-shell/residency-history/) [ Image: 借壳——驻留计划溯源与中国当代艺术进程 · 展览图册 cover / 图册封面 ](https://www.huchaocurator.com/downloads/shell-exhibition/catalogue-origins-of-artist-residencies-in-china.pdf) 公开下载 ## 展览图册 借壳——驻留计划溯源与中国当代艺术进程 中英文 PDF · 31页 · 12.9 MB 图册撰文：胡超、张国钟 设计：张国钟 · 红门画廊，2026年 [下载展览图册 PDF ↓](https://www.huchaocurator.com/downloads/shell-exhibition/catalogue-origins-of-artist-residencies-in-china.pdf)[在线阅读 PDF ↗](https://www.huchaocurator.com/downloads/shell-exhibition/catalogue-origins-of-artist-residencies-in-china.pdf) ## 图片使用与署名 图片可免费用于本展览的新闻与编辑报道，使用时须保留指定署名。 作品图片由红门画廊提供。 展厅照片（不含开幕现场）：张国钟 摄影，胡超 提供。 作品版权归各艺术家及相关权利人所有。展厅照片（不含开幕现场）版权归胡超所有。开幕现场图片另列署名，转载事宜请联系胡超。 [中英文图片图注 CSV ↓](https://www.huchaocurator.com/downloads/shell-exhibition/image-captions.csv) 画廊与相关发布 这里汇集胡超的策展研究、展览前言、作品与现场资料。画廊的展讯与参观安排，也可通过以下官方渠道查看。 [红门画廊展览链接](http://redgategallery.com/exhibitions/origins-of-artist-residencies-in-china/)[红门画廊 · 展览档案](https://redgategallery.com/category/exhibitions/past-exhibition/)[微信展览发布](https://mp.weixin.qq.com/s/nj66l7sie7GpGiTNcvHg0A)[红门画廊 · 微信推文](https://mp.weixin.qq.com/s/VgR8BZMSK3L5910GM1ctQA)[红门画廊 · 开幕回顾](https://redgategallery.com/news/opening-review-origins-of-artist-residencies-in-china/)[红门画廊官网](https://redgategallery.com/) ## 主要艺术档案记录 [Artforum · Artguide — 借壳——驻留计划溯源与中国当代艺术进程](https://artguide.artforum.com/venue/red-gate-gallery-1337074/exhibition/group-exhibition-origins-of-artist-residencies-in-china-another-pathway-to-contemporary-chinese-art-1337194/) Artforum Artguide 展览收录。 [MutualArt — 借壳——驻留计划溯源与中国当代艺术进程](https://www.mutualart.com/Exhibition/Origins-of-Artist-Residencies-in-China--/06B592BF0D44B103) 英文展览档案，收录展期、展览介绍及参展艺术家。 [ARTTAIWAN — 借壳——驻留计划溯源与中国当代艺术进程](https://arttaiwan.com/blogs/on-view/on-view-red-gate-artist-residencies-china) ARTTAIWAN「On View」栏目展览介绍。 [ArtRabbit — 借壳——驻留计划溯源与中国当代艺术进程](https://www.artrabbit.com/events/origins-of-artist-residencies-in-china-another-pathway-to-contemporary-chinese-art-%E5%80%9F%E5%A3%B3) 英文展览收录，含展期、策展人及本网站展览档案链接。 [Booooooom — 借壳——驻留计划溯源与中国当代艺术进程](https://www.booooooom.com/submissions/origins-of-artist-residencies-in-china-another-pathway-to-contemporary-chinese-art/) Booooooom 投稿栏目展览记录。 [OAM — Borrowing the Shell (借壳) – Origins of Artist Residencies in China](https://oam.io/expositions/borrowing-shell-jieke-origins-artist-residencies-china) 法语展览档案与介绍。 [南方都市报 · 搜狐 — 798新展《借壳》上线，艺术驻留如何塑造中国当代艺术？](https://www.sohu.com/a/1086419274_161795) 南都N视频记者采写的展览开幕报道，刊载于搜狐。 [澳大利亚驻华使领馆 · 微博 — 《借壳》展览开幕消息](https://weibo.com/2/detail/5353641336113007) 官方微博发布展览开幕消息，介绍澳中艺术家驻留交流。 [雅昌艺术网 — 展览预告 | 群展“借壳——驻留计划溯源与中国当代艺术进程”将在红门画廊开幕](https://m-news.artron.net/news/20261010/n2093981.html?platform=toutiao&os=ios) 展览预告，刊载胡超策展人语全文及作品图片。 [雅昌艺术网 — 从一间工作室到跨地网络 “借壳——驻留计划溯源与中国当代艺术进程”在红门画廊开幕](https://news.artron.net/20261016/n1154743.html) 红门画廊《借壳》展览的开幕报道。 关闭 × ←→