# An island’s building debris becomes pigment / 把岛屿的建筑废墟，变成颜料 — Hu Chao 胡超

Source: https://www.huchaocurator.com/exhibitions/bali-island/research/construction-debris-pigments/

## English

[Selected curatorial projects](https://www.huchaocurator.com/exhibitions/) / [Bali Island](https://www.huchaocurator.com/exhibitions/bali-island/)

[Exhibition](https://www.huchaocurator.com/exhibitions/bali-island/)[Research notes](https://www.huchaocurator.com/exhibitions/bali-island/research/)[International symposium](https://www.huchaocurator.com/exhibitions/bali-island/symposium/)[Selected works](https://www.huchaocurator.com/exhibitions/bali-island/works/)[Installation views](https://www.huchaocurator.com/exhibitions/bali-island/gallery/)[Full introduction](https://www.huchaocurator.com/exhibitions/bali-island/introduction/)[Catalogue & sources](https://www.huchaocurator.com/exhibitions/bali-island/resources/)

BALI ISLAND / CURATORIAL RESEARCH

# An island’s building debris becomes pigment

Post Rimbun carries Bali’s changing environment into an installation made for Guangzhou.

Ines Katamso · Post Rimbun · material history

Ines Katamso made Post Rimbun for the Guangzhou exhibition. Suspended textiles suggest mountain forms, bringing a dialogue with Chinese landscape painting into the gallery. The pigments come from construction debris collected in Bali, including brick, concrete, stone and rust.

The materials carry the pressure of building and tourism into images of tropical vegetation. What viewers see as colour also has a history as discarded urban matter. Moving these materials into an installation allows the work to address environmental change through the fabric and pigments themselves.

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Image: Ines Katamso, Post Rimbun, 2026 / 伊内斯·卡塔姆索，繁茂之后，2026

](https://www.huchaocurator.com/assets/bali-post-rimbun.webp)

Ines Katamso, Post Rimbun, 2026Commissioned installationImage / collection: GAFA Art Museum

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Image: Ines Katamso, Post Rimbun (detail), 2026 / 伊内斯·卡塔姆索，繁茂之后（局部），2026

](https://www.huchaocurator.com/assets/bali-exhibition/ines-textile-detail.webp)

Ines Katamso, Post Rimbun (detail), 2026Mixed media; pigments from construction debris and Bali clothImage / collection: Exhibition catalogue

CATALOGUE SOURCE

Bali Island: Art and the World Beyond the Rainforest, 2026. Catalogue text by Hu Chao. PDF pages 60.

[About the catalogue and sources](https://www.huchaocurator.com/exhibitions/bali-island/resources/)

CONNECTED RESEARCH

[Batik moves from pattern to modern abstraction](https://www.huchaocurator.com/exhibitions/bali-island/research/batik-and-modern-art/)[Why is there no goose meat in Singapore?](https://www.huchaocurator.com/exhibitions/bali-island/research/goose-and-archives/)

EXHIBITION RECORD & RELATED CHANNELS

[GAFA Art Museum · official exhibition page](https://artmuseum.gzarts.edu.cn/info/1249/9719.htm)[GAFA Art Museum · e-flux announcement](https://www.e-flux.com/announcements/6787417/bali-island-art-and-the-world-beyond-the-rainforest)[Catalogue, credits & sources](https://www.huchaocurator.com/exhibitions/bali-island/resources/)

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## 中文

[主要策展](https://www.huchaocurator.com/exhibitions/) / [巴厘岛](https://www.huchaocurator.com/exhibitions/bali-island/)

[展览详情](https://www.huchaocurator.com/exhibitions/bali-island/)[图册中的研究线索](https://www.huchaocurator.com/exhibitions/bali-island/research/)[国际研讨会](https://www.huchaocurator.com/exhibitions/bali-island/symposium/)[精选作品](https://www.huchaocurator.com/exhibitions/bali-island/works/)[展览现场](https://www.huchaocurator.com/exhibitions/bali-island/gallery/)[完整介绍](https://www.huchaocurator.com/exhibitions/bali-island/introduction/)[图册与相关发布](https://www.huchaocurator.com/exhibitions/bali-island/resources/)

巴厘岛 / 策展研究

# 把岛屿的建筑废墟，变成颜料

《繁茂之后》将巴厘岛变化中的环境，带入为广州展览创作的装置。

Ines Katamso · 繁茂之后 · 材料历史

Ines Katamso为广州展览创作了《繁茂之后》。悬挂的织物勾勒出山峦的轮廓，在展厅中展开与中国山水画的对话；颜料则提取自巴厘岛收集的建筑废墟，包括砖块、混凝土、石头和铁锈。

建设与旅游开发的压力，由此进入描绘热带植物的图像。观众看见的色彩，同时具有被丢弃的城市材料的历史。将这些材料带入装置，使作品能够通过织物与颜料本身，讨论岛屿环境的变化。

[

Image: Ines Katamso, Post Rimbun, 2026 / 伊内斯·卡塔姆索，繁茂之后，2026

](https://www.huchaocurator.com/assets/bali-post-rimbun.webp)

伊内斯·卡塔姆索，繁茂之后，2026为本展览创作的装置图片／收藏：广州美术学院美术馆

[

Image: Ines Katamso, Post Rimbun (detail), 2026 / 伊内斯·卡塔姆索，繁茂之后（局部），2026

](https://www.huchaocurator.com/assets/bali-exhibition/ines-textile-detail.webp)

伊内斯·卡塔姆索，繁茂之后（局部），2026综合材料；建筑废墟颜料与巴厘岛织物图片／收藏：展览图册

图册来源

《巴厘岛：雨林外的艺术与世界》，2026年。图册撰文：胡超。PDF第60页。

[关于图册与资料来源](https://www.huchaocurator.com/exhibitions/bali-island/resources/)

继续探索

[蜡染，如何从花纹走向现代抽象？](https://www.huchaocurator.com/exhibitions/bali-island/research/batik-and-modern-art/)[为什么新加坡吃不到鹅肉？](https://www.huchaocurator.com/exhibitions/bali-island/research/goose-and-archives/)

展览记录与相关发布

[广州美术学院美术馆 · 官方展览页](https://artmuseum.gzarts.edu.cn/info/1249/9719.htm)[广州美术学院美术馆 · e-flux发布](https://www.e-flux.com/announcements/6787417/bali-island-art-and-the-world-beyond-the-rainforest)[图册、致谢与资料来源](https://www.huchaocurator.com/exhibitions/bali-island/resources/)

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